Working-class father John Crowley is finally on the fast track to corporate success when his two young children are diagnosed with Pompe disease—a condition that prevents the body from breaking down sugar. With the support of his wife, John ditches his career and teams with unconventional specialist, Dr. Robert Stonehill to found a bio-tech company and develop a cure in time to save the lives of his children. As Dr. Stonehill works tirelessly to prove the theories that made him the black sheep of the medical community, a powerful bond is forged between the two unlikely allies.

Guy Luthan, a British doctor working at a hospital in New York, starts making unwelcome enquiries when the body of a man who died in his emergency room disappears. After the trail leads Luthan to the door of an eminent surgeon at the hospital, Luthan soon finds himself in extreme danger people who want the hospital's secret to remain undiscovered.

Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum's mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum's mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband's objections to Hatoum's intimate observation of her mother's naked body are intercut with Hatoum's voice in English reading the letters. 　　Hatoum was born in Beirut to Palestinian parents and became an exile in Britain, during a short visit to London, when war broke out in Lebanon in 1975. She attended art schools in London (Byam Shaw School of Art 1975-9, Slade School of Art 1979-81), where her experience of cultural displacement, both as a woman and an Arab national, informed much of her practice. She made Measures of Distance in Vancouver during a year as artist-in-residence at Western Front Art Centre. It is a Western Front production. Hatoum has said: 　　Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war. In this work I was also trying to go against the fixed identity that is usually implied in the stereotype of Arab woman as passive, mother as non-sexual being … the work is constructed visually in such a way that every frame speaks of literal closeness and implied distance. 　　(Quoted in Mona Hatoum 1997, p.140). 　　In the video the decorative Arabic script of Hatoum's mother's letters floats over the images of her body like a veil or barbed wire, preventing total visual access to the image. It both conceals and reveals the woman inhabiting that body, explicating her as an active thinking and feeling being, an image which is emphasised by the frank conversation about her sexuality with her daughter. The Arabic and English parts of the sound-track have been given equal emphasis, 'creating a difficult and alienating situation for a Western audience who have to strain to follow the narrative' (Hatoum in Mona Hatoum 1997, p.140). The work evokes a strong sense of intimacy between a mother and daughter and suggests a creative and transformative relationship through the breaking of taboos around the maternal body. It is through the daughter's art-making project that the mother is able to present herself freely, in a form which cements a bond of identity independent of colonial and patriarchal concerns.

Measures of Distance is a video work comprising several layered elements. Letters written by Hatoum's mother in Beirut to her daughter in London appear as Arabic text moving over the screen and are read aloud in English by Hatoum. The background images are slides of Hatoum's mother in the shower, taken by the artist during a visit to Lebanon. Taped conversations in Arabic between mother and daughter, in which her mother speaks openly about her feelings, her sexuality and her husband's objections to Hatoum's intimate observation of her mother's naked body are intercut with Hatoum's voice in English reading the letters. 　　Hatoum was born in Beirut to Palestinian parents and became an exile in Britain, during a short visit to London, when war broke out in Lebanon in 1975. She attended art schools in London (Byam Shaw School of Art 1975-9, Slade School of Art 1979-81), where her experience of cultural displacement, both as a woman and an Arab national, informed much of her practice. She made Measures of Distance in Vancouver during a year as artist-in-residence at Western Front Art Centre. It is a Western Front production. Hatoum has said: 　　Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war. In this work I was also trying to go against the fixed identity that is usually implied in the stereotype of Arab woman as passive, mother as non-sexual being … the work is constructed visually in such a way that every frame speaks of literal closeness and implied distance. 　　(Quoted in Mona Hatoum 1997, p.140). 　　In the video the decorative Arabic script of Hatoum's mother's letters floats over the images of her body like a veil or barbed wire, preventing total visual access to the image. It both conceals and reveals the woman inhabiting that body, explicating her as an active thinking and feeling being, an image which is emphasised by the frank conversation about her sexuality with her daughter. The Arabic and English parts of the sound-track have been given equal emphasis, 'creating a difficult and alienating situation for a Western audience who have to strain to follow the narrative' (Hatoum in Mona Hatoum 1997, p.140). The work evokes a strong sense of intimacy between a mother and daughter and suggests a creative and transformative relationship through the breaking of taboos around the maternal body. It is through the daughter's art-making project that the mother is able to present herself freely, in a form which cements a bond of identity independent of colonial and patriarchal concerns.

In a world where everyone develops a power on their 18th birthday, Jen didn't. She's turning 25 and is still waiting to get hers. Adrift in a big, confusing world and armed with nothing but a bit of hope and a lot of desperation, Jen begins her journey to find her maybe-superpower. But in doing so, she might discover the joy of being just kind of ok.

EXTRAORDINARY tells the amazing story of ultra-marathon runner and college professor David Horton, his wife, Nancy, and their attempt to finish their marriage race well. Although proud of his incredible athletic accomplishments and the impact he has on his students, David's family continuously pays a high price for his years of competitive running. Following his open-heart surgery and irreparable damage to his knees, Nancy is ready for Dave to hang up his racing shoes for good and focus his boundless energy on their family. Instead, feeling called by God to "inspire people one last time," Dave sets off for a 2,900-mile race across America

An undercover police officer attempts to take down a drug trafficking syndicate from the inside.

X arrives in a small town and witnesses a violent act; Z takes the job of a dead manager and discovers that he had a notebook written in code and a map; H is hired to go down a river and investigate a series of mysterious monoliths built on the shore.

Five tales by Edgar Allan Poe come to life thanks to a pictorical style animation, five tales that exude madness, pestilence, murder and torture.

As the new millennium approaches, God considers pulling the plug on the planet unless St. John the Baptist finds a reason to spare humanity. John travels to the Newfoundland city that bears his name where he becomes entangled in the lives of talk-show host Marietta, her husband Rick. (Toronto International Film Festival)